a little about me

My name is Molly Lasher (she/her), and I am a director-producer with strong roots in Long Beach, California.

I fostered my love for directing by working behind the scenes when I was not on stage at my childhood theatre and through countless formative hours spent in my high school’s Rainbow Playhouse. Then, through my studies at UC San Diego and the University of London, Queen Mary, I put my toolkit to work as a theatre-maker and collaborator.

The processes I most enjoy are those rich in experimentation, movement, and wacky rehearsal props. I often approach projects from a dramaturgical foundation and build out the planet of the story from there (shoutout Elinor Fuchs). Once in the room, I am on my feet with the team as we unlock the piece together. I lean on my interdisciplinary background to remain flexible with collaborators and to ensure we can take care of the story we are telling and each other while we are at it.

Theatre is a crucial and vital platform, and through my work, I hope to tell stories that can urge us away from the pedestrian. It is a vehicle through which we can confront our reality and build a better way through coming together. I believe that art will always change the world.

I currently work at The Wallis Annenberg Center for the Performing Arts and the Actor’s Equity Association in Los Angeles, California.

current top 10

  • Top Girls by Caryl Churchill

  • Pre-2008 Survivor

  • Screen limits

  • Unhinged Letterboxd reviews

  • Grace by Jeff Buckley

  • The history of urban development in major cities around the world

  • Pride and Prejudice (2005)

  • Stressing out about the state of my personal finances

  • Doja Cat’s Coachella visuals

  • Sylvia Plath

what is my thing?

  • Characters who are just the worst and meant to be that way

  • Large ensembles

  • Classical and Adapted Stories

  • Political Theatre

  • Musicals with a little dark malicious vibe, from Sondheim to Dave Malloy

  • Utilizing elements of multi-media

  • New work development

  • Unconventional venues

  • Pre-show music in the House

  • Working in community